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Tilda Swinton Turns 66 on November 5, and Strange Films Feel at Home With Her

A snowy railway through a frozen landscape with a lit train window, an AI-made illustration inspired by Snowpiercer

Illustration: AI-generated with Pollinations (FLUX), free to use


Tilda Swinton turns 66 on November 5. She can make a period drama, a sci-fi train thriller and a quiet art film feel like they came from the same mind. Her career has never followed the usual rules, and that is much of the fun of watching her.

Tilda Swinton at the Berlin International Film Festival in 2008

Photo: Siebbi, CC BY 3.0, via Wikimedia Commons


Orlando (1992) is where many people first noticed her. Sally Potter's film follows a nobleman who lives for centuries and changes gender along the way, and Swinton carries the whole thing with a straight face. It is strange, funny and moving, and it has aged better than most costume dramas from that decade.

Tilda Swinton posing at the 2010 Berlin Film Festival

Photo: Siebbi, CC BY 3.0, via Wikimedia Commons


Michael Clayton (2007) brought her the Academy Award for Best Supporting Actress. She plays Karen Crowder, a chief executive whose calm hides a lot of damage. George Clooney gets the bigger part, but she is the one you remember when the credits roll.

Tilda Swinton at the Cannes Film Festival in 2013

Photo: Olivier06400, CC BY-SA 3.0, via Wikimedia Commons


Snowpiercer (2013) proved she could steal a scene in a big blockbuster. She plays Mason, a grotesque government minister who lectures the train's passengers, and she is both ridiculous and frightening. In Only Lovers Left Alive (2013) she plays a vampire opposite Tom Hiddleston, and the late-night mood suits her perfectly.

Tilda Swinton at the Deauville American Film Festival

Photo: Yannick Jamot, CC BY-SA 3.0, via Wikimedia Commons


Which Tilda Swinton film would you watch first? Orlando is the best way in for me, but if you want to see her go somewhere truly odd, Mason will make you laugh and wince in the same moment.

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